Equations are not being displayed properly on some articles. We hope to have this fixed soon. Our apologies.

Kariya, D. (2012). JANE AUSTEN AND HER CONTRIBUTION. PHILICA.COM Article number 327.

ISSN 1751-3030  
Log in  
Register  
  1249 Articles and Observations available | Content last updated 22 November, 19:47  
Philica entries accessed 3 438 480 times  


NEWS: The SOAP Project, in collaboration with CERN, are conducting a survey on open-access publishing. Please take a moment to give them your views

Submit an Article or Observation

We aim to suit all browsers, but recommend Firefox particularly:

JANE AUSTEN AND HER CONTRIBUTION

Dhimant Kariyaunconfirmed user (English, Amrita University)

Published in linguo.philica.com

Abstract
Austen is uniquely placed among the women writers of England, influencing the thinking and work of contemporaries and later writers alike. Austen’s established position in the canon as the best-remembered English female novelist of her generation makes her important touch stones in the nineteenth century.

Article body

Jane Austen (1775-1817), was a country parson’s daughter who lived most of her life in a tiny English village. Austen was the seventh of eight children and the second daughter in the family. Her father, Reverend George Austen, was a rural clergyman. Her mother, Cassandra Leigh Austen, was known as an excellent storyteller and a charming dinner guest. Two of Austen's brothers followed their father into the church. Two others joined the navy and eventually made the rank of admiral.

Austen received some formal education at schools in Oxford and Southampton, but her tutoring ended when she was nine. After this, her Oxford-educated father took on the task of teaching his daughter. Austen learned some Italian, French and History at home. She was well read in Shakespeare and Milton, and the poets, novelists and essayists of the eighteenth century. During the summer, the family entertained friends and neighbours with comic plays they performed on an improvised stage in the barn and moved into the house for the winter. They often conscripted locals for community productions. Two common themes in Austen's books are the loss of illusions — usually leading characters to a more mature outlook — and the clash between traditional moral ideals and the everyday demands of life. In most of her novels, her characters correct their faults through lessons learned because of tribulations. Because of her sensitivity to universal patterns of human behaviour, many people regard Austen as one of the greatest novelists of the 19th and 20th centuries. 

She began writing her first novel, Sense and Sensibility, when she was still in her late teens. When she wrote the original version of her second and most famous novel, Pride and Prejudice (originally entitled First Impressions), she was not yet twenty-one. At that time, she had never been away from home, except for a few years at a girls’ boarding school before the age of ten. Yet, although she had seen almost nothing of the world beyond Steventon, the town where she grew up, she was able to write a witty, worldly novel of love, money, and marriage.

Jane Austen’s world seems very narrow to us today. The year she was born, 1775, was an important one in English as well as American history, but to the people of the little village of Steventon, the American Revolution was something very far away that hardly touched their lives at all. Years later while Austen was writing her novels, England was involved in the Napoleonic Wars. But you will not find much mention of them in her work. One reason these wars did not affect the English at home very much was that they were fought entirely on foreign soil or at sea, and they did not involve very large numbers of Englishmen. (Two of Jane Austen’s brothers did see combat as naval officers and both reached the rank of admiral, and a naval officer who did well in the wars is one of her most attractive heroes in her last novel, Persuasion.) Another reason is that – without television, radio, telephones, cellular phones, automobiles, or even railroads – news traveled slowly.

People traveled very little, and when they did it was on foot, by public coach, or – if they could afford it – by private carriage. In the evenings, they sat together around the fire, mother, and girls mending or embroidering by candlelight and often someone reading aloud. For entertainment, they might visit a neighbor or go to a dance in the village public hall. At these so-called assemblies, young people were chaperoned by mothers and aunts, and only the most correct behavior was tolerated. If there were a large estate in the neighborhood, the squire or lord of the manor would give evening parties and occasionally a ball, to which his lady would invite the leading families of the countryside.

Jane Austen wrote Pride and Prejudice in the family sitting room while her six brothers and a sister, her father’s pupils, and visiting neighbors swirled around her. She would cover her manuscript with a blotter during interruptions and take up her pen again when the room was quiet. All the while, she was watching, listening, and thinking about the world around her. The novel reflects her understanding of and active involvement with “ordinary” people.

The plot of Pride and Prejudice is based on the concerns of people in early nineteenth-century country society. One of these concerns is money. Austen could observe the money problems of a middle-class family right in her own home. As a clergyman of the Church of England, her father was an educated man and a gentleman. However, his parish consisted of only about three hundred people, and his income did not provide well for his family, so he had to take in students in addition to his church duties. Even so, he could send only one son, the oldest, to Oxford, and he could not give his daughters attractive dowries or an income if they remained unmarried.

Like other young women of their social class, Jane and her sister Cassandra were educated, mostly at home, in the “ladylike” subjects of music, drawing and painting, needlework, and social behavior. Thanks to her father and her own literary tastes, Jane was also very well read. Tall and graceful, with dark hair and beautiful hazel eyes, she enjoyed parties, liked to dance, and had numerous suitors. As it turned out, however, neither Jane nor her sister Cassandra ever married. After their father died in 1805, a brother who had been adopted by a wealthy childless couple and had inherited a sizable estate cared for them and their mother. (Such adoptions were a common custom of the time.)

Such realities of middle-class life are central to Pride and Prejudice. Critics of a hundred or so years ago called Jane Austen ‘vulgar’ and ‘mercenary’, because she writes so frankly about money. One of the first things we learn about her characters, for example, is how much income they have. Her critics considered it bad taste to talk about money, either one’s own or someone else’s.

However, in the middle class of Jane Austen’s time, the amount of your income could be a matter of life and death. What is more, it was not money you worked for and earned that mattered, but money you were born to or inherited. People who worked—executives, manufacturers, and even some professional people, such as lawyers—were not accepted as members of the “gentry”. They were “in trade,” and the gentry looked down on them.

While Austen was writing, a great change was coming over England. The industrial revolution was reaching its height, and a new middle class of prosperous factory owners was developing. Yet in the midst of this change, one ancient English tradition still survived, and that was that the true gentry were not the newly rich in the cities but those who lived on their inherited estates. The new middle class, who had become rich “in trade,” were therefore buying manor houses and estates in the country, and setting up their heirs as members of the landed aristocracy.

In Pride and Prejudice, the two leading male characters represent this social change. Mr. Darcy’s aristocratic family goes back for generations and he draws his income from his vast estate of tenant farms. His friend Mr. Bingley, however, is heir to a fortune made “in trade” and is looking for a suitable country estate to establish himself in the upper class.

Notice how different characters in the novel react to these social distinctions. Jane Austen herself, through her heroine Elizabeth, expresses her contempt for snobbery. You will find that she pokes fun at the snobs and makes them her most comical characters.

Still, there was a very serious side to all this and that was the situation of young women. In our time, women have many other choices in addition to marriage. In Jane Austen’s time, it was not so. Gilbert and Gubar notes: Marriage is crucial because it is the only accessible form of self-definition for girls in her society1 A young woman of her class depended for her happiness, her health, in fact the whole shape of her life, on her making a good marriage. If her husband was poor, a gambler, or a drunkard, she and her children could suffer genuine privation. A girl with no fortune of her own often could not attract a husband. Then she might have to become a governess, living in other people’s houses, looking after their children and subject to their whims.

The necessity of making a good marriage is one of the major themes of Pride and Prejudice, but that does not mean the novel is old fashioned. In fact, you may find that you can make a good argument for calling Jane Austen a feminist and her novel a feminist novel. It is a serious novel in many ways, but also a very funny one. Moers observes:

All of Jane Austen's opening paragraphs, and the best of her first sentences, have money in them; this may be the first obviously feminine thing about her novels, for money and its making were characteristically female rather than male subjects in English fiction… From her earliest years Austen had the kind of mind that inquired where the money came from on which young women were to live, and exactly how much of it there was.2

Jane Austen began writing novels simply to entertain herself and her family, with no idea of having her stories published. In her time, novels were not considered a respectable form of literature; rather the way murder mysteries and Gothic romances are looked down on in our own time. Ministers preached and social critics thundered against the habit of reading novels. Meanwhile, hundreds of novels were being published – most of them trashy romances or wildly exaggerated adventure yarns – and people went right on reading them. Cecil believes:

Jane Austen… was stirred to portray men and women only in relation to [her] family and friends and social acquaintances… She never strays from the world she herself had lived in… Her characters all come from her own class.3

Austin was working on her sixth and last novel, Persuasion, when Henry fell ill and she moved to London to nurse him. Soon afterward, her health began to fail. With Cassandra as her nurse and companion, she moved to Winchester to be treated by a famous surgeon there. He apparently could not help her, and on July 18, 1817, she died, just five months short of her forty-second birthday.

Judging from her letters, which radiate good humor and laugh off minor misfortunes, Jane Austen’s life, although short, was a busy and contented one. If the lively, witty Elizabeth Bennet in Pride and Prejudice was modeled on any living person, the model must have been Jane Austen herself.

Jane Austen is considered the best woman author of all time, but her witty, satiric novels about everyday people living ordinary lives were unappreciated until the twentieth century. Her homey realism was a change from the melodramatic fiction being written at the turn of the eighteenth century. Her writing is described as a comedy of manners in middle-class England. A reoccurring theme is that maturity is gained through the loss of illusions.

Love is the central theme of many of Austen's novels. Because her books deal with the subject in such a deep and sensitive manner, many have speculated on her experience. Known as shy and well mannered, Austen was courted by a number of suitors, but never married. She accepted a proposal of marriage from a long-standing friend, Harris Bigg-Wither, but ended the engagement the next day when she realized she did not love him. Apparently, the one true love of her life, probably a clergyman or a sailor, ended when he was killed. His name, along with many other facts of her life will forever remain a mystery because her family cut up and censored many of her letters after she died.

Austen lived with her parents all her life. In 1801, after the retirement of her father, the family moved to Bath, along with her sister and closest companion, Cassandra. When George Austen died in 1805, they spent three years in Southampton, before settling in the cottage at Chawton, Hampshire. It was in this house she composed all the final drafts of her works.

In 1816, her health began to fail. Today, doctors suspect she was suffering from Addison's disease. A few months before her death, she moved to Winchester for medical attention, but she died in the hospital and was buried at Winchester Cathedral. After her death, her authorship was officially announced by her brother Henry, who supervised the publication of Northanger Abby and Persuasion

References:

1.        Sandra Gilbert and Susan Gubar, ‘Shut Up in Prose: Gender and Gender in Austen’s Juvenilia’. Jane Austen. ed. Harold Bloom. Infobase Publishing. 2004. p. 74

2.        Moers, Ellen. Archetypal Patterns in Women's Fiction. Ed. Annis Pratt. Indiana University Press. 1981. p. 44

3.        Cecil, David. A Portrait of Jane Austen. New York: Hill and Wang, 1978. p. 144-45 

Information about this Article
This Article has not yet been peer-reviewed
This Article was published on 28th May, 2012 at 18:33:13 and has been viewed 10225 times.

Creative Commons License
This work is licensed under a Creative Commons Attribution 2.5 License.
The full citation for this Article is:
Kariya, D. (2012). JANE AUSTEN AND HER CONTRIBUTION. PHILICA.COM Article number 327.


<< Go back Review this ArticlePrinter-friendlyReport this Article



Website copyright © 2006-07 Philica; authors retain the rights to their work under this Creative Commons License and reviews are copyleft under the GNU free documentation license.
Using this site indicates acceptance of our Terms and Conditions.

This page was generated in 0.3314 seconds.